» » Lungfish - Indivisible
full-dateMP3 1243 mb. | FLAC 1226 mb. | WMA: 1053 mb.

Lungfish - Indivisible Album

Lungfish - Indivisible Album

Performer: Lungfish
Title: Indivisible
Country: US
Catalog Number: DIS106V
Label: Dischord Records
Released: 1997
Style: Art Rock, Indie Rock
Rating: 4.9
Votes: 659


1William Fuld
2You Did Not Exist
4Sin To Live
5Fill The Days
8Cut To Fit The Mouth
9Tick Tock
10Organ Harvest
11Yellow Sun


CategoryArtistTitle (Format)LabelCategoryCountryYear
DIS106CDLungfish Indivisible ‎(CD, Album)Dischord RecordsDIS106CDUS1997
DIS106VLungfish Indivisible ‎(LP, Album, RE)Dischord RecordsDIS106VUS2012


  • BassSean Meadows
  • DrumsMitchell W. Feldstein
  • GuitarAsa Osborne
  • Mixed ByDon Zientara, Lungfish
  • Recorded ByDon Zientara
  • VocalsDaniel Higgs


  • Matrix / Runout (Side One): DIS106V A2 DAMONT D1
  • Matrix / Runout (Side Two): DIS106V B1 DAMONT C1


  • Pressed By – Damont


Reviews (2)
There is a rare UK pressing of this pressed by DAMONT with a 'Made in England' sleeve. The cover is matt textured card. Plain inner.

Fast Lovebird
THE ROILING INTERIOR of lungfish has now erupted and exposed itself. They've become a mountain so large it creates it's own weather. For a band to produce a record of such universal complexity and possessing an even balance of life zone atmospheric qualities - is a pleasant surprise after 1995s atonement "Sound In Time." (I like it well enough, but rarely play it anymore.) If this quartet were just feeling each other out that go round, then they've gotten to know each other covalently in "Indivisible." At the helm in engineering and twisting knobs for the fourth consecutive time is Don Zientara whom I would say knows the band's sound as good, if not better, than the band itself. Michell Feldstein (drums) and Sean Meadows (bass) are one of the best rhythm sections in rock at present. They are the fabric of the mantra. Daniel Higgs sounds clear and strong but it's the guitar playing of Asa Osborne that tunes me in deeper. Pulling out of his hat; a whole slew of new melodies and bashing chords that are the framework of this LP as well as the band's overall sound. The choice to fill the album with mood pieces, instro's such as "e=fu," "Urania" (sounding like a 4-track out of studio experience); the howling fsa-drone of "William Fuld" or the upbeat casio melody of "Cut To Fit The Mouth" - makes this a repeatable experience all the more often. It closes with "Sin To Live" a short distant piano and cello piece adding tap of a plastic pail - a brief voice from what sounds like a phone line enters then fades away. This is it. This is the one. Pass and Stow just met it's maker.

2016-2021 © opencloudpa.it
All rights reserved